Every project we take on begins the same way: with samples on a table. Stone, timber, metal and textile, studied together under the light they'll actually live in.
Starting with material keeps design honest. A palette that looks resolved on a screen can fall apart in the hand; one that's built from real samples carries through to the finished room.
It's slower at the start, and faster everywhere after — because the decisions that matter most are made when they're cheapest to change.
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